From the World of Love

OOooh boy! do I have a lot to talk about and so precious little time to talk about it. Ideally I would like to do a year in review, but perhaps once the New Year comes and goes, I will have a moment to actually sit down and stew... for now, let's just talk about the bright future ahead, shall we!?!

Alrighty, then... first and foremost... January 1st, it's happening again,

folks. I will be tossing caution and pasties to the wind and hoping that I can be voted in to the Viva Las Vegas Rockabilly weekender! I had to say, I waffled, but the minute I found out the king of all rockabilly himself was going to be performing... that star of stars himself. Mr. Jerry Lee Lewis was headlining... I just had to do it, I had to take it as a sign. I have loved him since I could wear shoes and boogie folks, so bear with me this month. It's gonna be quite a ride. I have a new video being put together by the good Professor, with the blessing of Blair Crimmins himself. I have a good feeling about it this year, ya'll so I hope to count on your support and love!

January 1st, I perform for the good Davenports to ring in the new year!

Attention Pilots of Airships and their Crews, Mad Scientists, Explorers of the Unknown, Admirers of Verbosity, Respecters of the Strange, Those Lost in the Throes of Opium or Absinthe, Teetotalers, Scallywags, Ladies and Gentlemen, Dandies, Fops, and Urchins...
The next event will be on NEW YEAR’S EVE: Friday December 31st, 2010. Hosted by the Davenport Sisters & guest DJ Doctor Q (Mechanical Masquerade; Atlanta, GA). Featuring musical performance by Curtis Eller & burlesque by the incomparable Talloolah Love.

Jazz, Blues, Swing, Dark Cabaret, Gypsy Punk, & Dance music from times gone by or times that never were. ((heheh... apparently I am incomparable )












Let's not forget! I host the Atlanta Burlesque and Cabaret Club Meetings the first Wednesday of every month! Keep a-breast about upcoming topics and issues facing the community here:










I have the Holidazed and Confused show with Blast off Burlesque, that show goes off January 14th and 15th, and is brought to you by those zaney awesome people who brought you Stimulus Package, and most recently, The Masters of Vaudeville. A well attended show at The Eyedrum a few weeks ago that was simply fantastic! With these talented folks, plus Onca O'Leary, plus THE Armitage Shanks... how could you possibly go wrong?

And my DEAR Armitage, in his brilliance had the perfect plant... that was never
*planned! What I loved about this show.. well.. was everything. Really the best show I have seen in a long time. Gripping from beginning to end!














But I digress, this is supposed to be about the future, is it not? ALSO... because one big debut wasn't enough for one month.

I assisted in the production and the writing of The Search for the Golden Sprocket that goes off on the 14th:

This stars and features some of my absolute FAVORITE people in the business of being amazing. I know... I know, there's a conflict, BUT The sprocket goes off Friday night. Then, there's two COUNTEM... TWO shows on Saturday. You could make it an entire weekend of awesome and intriguing entertainment! What more could you ask for!?!?! Please make an effort to go to both of them, they are absolutely fabulous! You won't regret it!





UGH!!! I have run out of time! I have a lot more to talk about for February, darlings! Stay tuned! Love to my lovelies!
-Talloolah



*Photo By Knottie Pictures

To "Burlesque" or not to "Burlesque" that is the question!!!

Next Meeting: January 4th 2011

So as some of you may or may not know I was out of commission for a few weeks for personal reasons. I am back, and full steam ahead ladies and gents, rest assured, but one of the detriments of believing you are invincible and realizing that you are indeed... not... is that you like to make commitments... then fail at them when your body says no.

So... as we discussed previously the Atlanta Burlesque and Cabaret always does better with a topic of conversation. We chatted briefly about the movie "Burlesque" we all said a big ol' gaggle of us should hit the new movie "Burlesque" in the movie theatre. We all knew this thing was going to be an atrocity, but then I read something that gave me pause to consider putting my hard earned sheckles into seeing a film that pretty much smacks of absolute ignorance of a genre we all sweat bleed and cry for because we love it.

Let's face it my bedazzled brethren of boundless bounty... we don't make much for the thing we love. Is it really a good thing to put one dime behind something that really just does not get what burlesque really is? I am not going to even attempt to say what my dear friend Tigger! has put so eloquently and succinctly down already. And I for one haven't totally made up my mind either. But I thought that Tigger!'s words are so nicely said, sharing this illumination with our little community would do a lot of good. So here it is, and I would invite you to discuss with me, or with others in the local scene your feelings on it as well ladies and gents, if you haven't had the divine pleasure already, the retarded genius himself, Tigger!:


Date: Mon, 6 Dec 2010 23:45:08 +0000
Subject: [missexoticworld] Burlesque- the movie or the art form?

I finally broke down and responded to questions about the movie they happened to call "Burlesque." I know, I know. Another one? I can only offer that it is not a review, just a response to some of the press:

"I will not join the chorus of my burlesque brethren reviewing the film because I have not seen it. I have read and heard enough reviews to know that I'm not interested in paying for what will likely be a disappointing experience. (Maybe I'll rent it some drunken night next year.) I'm not livid that it's out there, I just don't think I'd enjoy the film, regardless of its title. It has also been made clear that it does not reflect burlesque as our community knows/practices/cherishes it. I do recognize the opportunity that this film's publicity presents for us to get new audiences in to see what we do, even if they were expecting something quite different. I support a very broad definition of burlesque and can live with the fact that mine has very little in common with Mr. Antin's.

However, I do take exception to this sniffing attitude of superiority to dirty strippers. Down & dirty strippers (and confrontational performance artists too) are every bit as much our forebears as cabaret and vaudeville artists. Burlesque is a working class art form. It historically employs low humor to skewer self-righteous so-called high culture. It lampoons politics and is a political art form itself, especially in our puritanical society. These are essential elements. It seems to me that his film does none of these things. Another critical element in burlesque is Self-Expression. That is very difficult to achieve when you're trotting out tired imitations of Fosse's brilliant work. Most artists feel strongly that you do not celebrate your heroes by merely imitating them but by learning from them and perhaps feeling their influence here and there in your own original work.

Attitudes like those attributed to Antin & Culpepper in the press suggest that they seek to "elevate" burlesque. (From The Advocate: "The two shared a vision of burlesque — musical parody with sexual innuendo, as it originated in Europe in the 1800s, before it got muddled together with stripping.") These people who strive to make burlesque highbrow are working to kill it. When burlesque becomes elitist and ceases to connect with real people, it ceases to be burlesque. By all means, we should be intelligent and subtle and witty in our work, but we have to achieve the high/low balancing act. We need to deliver thoughtful content and practiced artistry while Entertaining the people in the cheap seats.

Similarly, opera used to be for everyone and was lively and exciting. Opera stars used to be rock stars. Once upon a time, ordinary working class people could afford to see it and even had fun at the opera. As far as most ordinary people today are concerned, opera is as good as dead. I do not want to see that happen to burlesque."

xxx Tigger!

SOOOOoooo... now that you have read that, I would love to know your feelings on the matter. I personally feel that the Opera point is an interesting topic, and i would very much like to talk about how that correlates to our art form in your opinion.
So THAT is our next topic of conversation for the January Atlanta Burlesque and Cabaret Meetup!